eading report of sons and lovers during my extracurricular time, i started reading sons and lovers, which was written by david herbert lawrence. he was an english novelist, poet, playwright, essayist, literary critic and painter who published as d. h. lawrence. he was born on september 11, 1885 to a miner and his wife in the small village of eastwood near nottingham, england. arthur and lydia lawrence, his parents, had a troublesome marriage from the start: his father, a miner, was content to stay on the mining grounds while his mother yearned to leave. so his childhood was dominated by poverty and friction between his parents. he was educated at nottingham high school, and won a scholarship. he worked as a clerk in a surgical appliance factory, and then for four years as a pupil-teacher. he was died in vence, france on march 2, 1930. lawrence is now valued by many as a visionary thinker and significant representative of modernism in english literature. there is a background before the author wrote this book. lawrence lived at a time when the industrial revolution was taking on the whole world, especially in great britain, which changed from agricultural society towards industrial society. and it brought all changes in national and personal lives. lawrence?s novel sons and lovers deals with lawrence?s personal experiences in the working-class environment in nottinghamshire.

sons and lovers is the third published novel of d. h. lawrence, taken by many to be his earliest masterpiece. it tells the story of paul morel, a young man and a budding artist. this autobiographical novel is a brilliant evocation of life in a working class mining community. this novel is about the life of movels. mr.morel, mrs.moel, paul, miriam and clara are the main characters in this novel. the author develops the story by portraying the relationships between these characters. but the end of the relationship is a tragedy. i divided this book into two parts. now i will introduce the first part of this book.

the refined daughter of a good old burgher family, gertrude coppard meets a rough-hewn miner at a christmas dance and falls into a whirlwind romance. but soon after her marriage to walter morel, she realizes the difficulties of living off his meager salary in a rented house. the couple fight and drift apart and walter retreats to the pub after work each day. gradually, mrs.morel?s

affections shift to her sons, beginning with the oldest, william. as a boy, william is so attached to his mother that he doesn?t enjoy the fair without her. as he grows older, he defends her against his father?s occasional violence. eventually, he leaves home for a job in london, where he begins to rise up into the middle class. he is engaged, but he detests the girl?s superficiality. he dies, and mrs. morel is heartbroken, but when william catches pneumonia, she rediscovers her love for her second son. both repulsed by and drawn to his mother, paul is afraid to leave her but wants to go out on his own, and needs to experience love. gradually, he falls into a relation ship with miriam, a farm girl who attends his church. the two take long walks and have intellectual conversations about books, but resists in, in part because his mother looks down on her.

i want to introduce the three characters of this book: mr. morel, mrs morel and miriam leviers. mr. morel is paul's rough, sensual, hard-drinking father. in many ways, he is his wife's opposite. mr. morel is from a lower-class mining family. he speaks the local dialect in contrast to his wife's refined english. he loves to drink and dance practices that mrs. morel, a strict congregationalist, considers sinful. mrs morel is one of the most formidable mothers in all of western literature. to the narrator, and perhaps to paul morel, she is both a giving, selfless nurturer of her children and a possessive tyrant. miriam leviers, paul's teenage friend and sweetheart, was modeled after lawrence's own young love, miriam is paul's devoted helpmate in his artistic and spiritual quests. although beautiful, she takes no pleasure in her physical attributes. her whole life is geared towards heaven and a mystical sense of nature.

this is the most autobiographical of all lawrence?s works as the author himself had a similar relationship with his own mother. the use of this oedipal theme is one of a number of freudian concepts he used throughout his books. like many of his works, sons and lovers was criticized when first published for obscenity and one publisher called it the dirtiest book he had ever read, but compared to his later works it is quite constrained.

there are three females that paul had loved. the first person is his mother. paul is afraid to leave her but wants to go out on his own, and experience love. then, it is miriam, whom is a farm girl. they have intellectual conversations about books in the nature. at last, paul meets clara dawes, who has separated

from her husband, paul get physical satisfaction from her.

i want to show my opinions about the love between paul and miriam.miriam leviers, paul's teenage friend and sweetheart, was modeled after lawrence's own young love. she is romantic in her soul but timid and sensitive in appearance. miriam is paul's devoted helpmate in his artistic and spiritual quests. although beautiful, she takes no pleasure in her physical attributes. her whole life is geared towards heaven and a mystical sense of nature. miriam is paul?s first lover. miriam loves paul, but she can?t admit to and has no courage to love. when she loves paul, she only wants to dominate his mind, then to catch paul?s whole soul. but paul knows that miriam only loves his soul and wants to posses him. in this book, there is a dialogue between them which paul rejected miriam. miriam said: you had said that we belong to each other. i was young. i did belong to my mother and now she is died. i don?t want to live again with you, not even with you. i?m sure i?ll never find one as good as you, but perhaps i understand at last what the mean to live, said paul. for paul, mother?s love makes him unhappy, while miriam seems like his mother as both want to control his soul. of course, he will against that form of love as he thinks that?s not love and wants to escape from this spiritual love. i think the love was failed because of miriam?s possession.

then, i?d like to compare lawrence as a combination of both william and paul. as william, he was a man who grew in such family and had a strong will to break the shackles of his class. william was gifted, he was successful in both his academy work and interpersonal relational, and he escaped from his lamentable family to london. the mentality of william just like lawrence purred his feel to this character subconsciously: the disgust of his father, admiration of mother, struggle to free himself from the mournful family. all these characteristics are based on author himself experience. of course, these stuffs also connected with the society at that time, which class you came from can be the first to affect who you were or how you were, in order to change your social status, the post important was to change the class you belonged to. all these ideology created both lawrence and his william.

at the moment, it?s clear that paul?s oedipus complex and reasons. actually paul has not become a normal adult by getting over some problems like

other children. that is not only determined by his mother?s abnormal maternity. the reasons are in many ways, some comes from the parents; some comes from his sisters and brothers, some even from the society, the mechanical civilization, which leads to the family tragedy and distortion of personality.

情人书读后感篇2

“他是个强健的、身材修长的男子，有着用不完的精力。他的脸很粗犷，具有象普通老百姓的那种粗线条；掩在那双浓密眉毛下的眼睛饱含着如此充沛的生命力，以至她不能不着迷。它们好像在舞蹈，但又仿佛被笑声的余音振颤着；他的嘴巴也一样，好像马上会爆发出胜利的笑声，但又没有笑出来。他给人以强烈的悬念感。”

他就是保罗。《儿子和情人》一书中的男主人公。d.h.劳伦斯细腻入微地叙述了他的青少年生活、与母亲的畸恋以及和米丽安、克拉拉的爱情纠葛。这本书探讨了英国下层家庭关系的复杂性。作者很注重心理描写，把保罗的思想逐步地解剖，呈现在读者面前。保罗自小受到母亲莫瑞尔太太的钟爱，但是父亲却对他不理不睬。他特别早熟，心里埋藏着对父亲的仇恨。而莫瑞尔太太则是个复杂的人物，她把对死去的长子威廉的爱移植到保罗身上。她对丈夫没有一点爱情，只是把他当作客人看待。但是她极其嫉妒次子的情人，尤其是对米丽安。因为她深知米丽安要夺走儿子的精神之爱，便千方百计地阻扰，并采取冷漠的态度。而米丽安深爱着保罗，本来是不愿意与别人分享的，但是她是个富于牺牲精神的人，一直在默默地等待。米丽安以为保罗在得到她的纯洁后会更爱她，可惜她想错了。保罗太爱他母亲莫瑞尔太太了！直到他母亲死后，他才走向了新的生活。至于克拉拉，她与保罗仅仅是肉体之恋。后来与她的丈夫复合了。

全书洋洋洒洒40万字，其间不但插入了优美的景物描写，而且作者把人物的内心活动与景物的联系写得栩栩如生，各个人物活灵活现，呼之欲出。此书被列为英国一些大学文科的必读书。

情人书读后感篇3

今天恰值情人节，再度翻出杜拉斯的《情人》，细品其中滋味。

玛格丽特.杜拉斯是法国当代著名的小说家、剧作家、记者和电影艺术家。70岁那年,她的自传体小说《情人》获得1984年的龚古尔文学奖——法国最高文学奖项。杜拉斯的父母都是法国小学教师，因轻信当时政府的宣传，背井离乡来到法属印度支那殖民地（越南西贡），希望能在当地发财。但父亲在玛格丽特年幼时就因病告别了人世，留下母亲玛丽·多纳迪厄一人靠微薄的薪金抚养3个孩子，家境非常贫寒。

第一次知道杜拉斯是在王小波的《一只特立独行的猪》里，王小波对作者杜拉斯及译者王道乾都极为推崇，他说“就如达.芬奇画出了他的杰作，别人不肯看，那是别人的错，不是达.芬奇的错；米开朗琪罗雕出了他的杰作，别人不肯看，那是别人的错，不是米开朗琪罗的错。现代小说有这样的杰作，人若不肯看小说，那是人的错，不是小说的错。”《情人》就是这样一部小说。

鬓飞霜雪的杜拉斯用饱含深情的文字写出《情人》，晦涩难懂的文字，现实和回忆交织的架构，澎湃又低沉的情感，会让人无所适从。她的书是需要反复阅读的，我觉得看任何小说，都要了解作者的生平性格爱好，小说描写的生活场景，只要慢慢捋顺这些的脉络，就会明白作者想表达什么，会有柳暗花明的欣喜。小说开始非常简单，年纪愈大，我愈认可大道至简，敢于如此开头的人，往往比较彻悟：

我已经老了。

有一天，在一处公共场所的大厅里，有一个男人向我走来。他主动介绍自己，他对我说：“我认识你，永远记得你。那时候，你还很年轻，人人都说你美，现在，我是特为来告诉你，对我来说，我觉得现在你比年轻的时候更美，那时你是年轻女人，与你那时的面貌相比，我更爱你现在备受摧残的面容。”

“继而引出极度的痛苦，深可悲戚的情景，而运笔又偏于枯冷，激情潜于其下，悲剧内容既十分沉重又弥漫全篇，很是低沉悲伤。” ——译者王道乾

在爱情的开始时杜拉斯是这样叙述的：“才十八岁,就已经是太迟了。在十八岁和二十五岁之间，我原来的面貌早已不知去向。我在十八岁的时候就变老了。……在一生最年轻的岁月，最可赞叹的年华，在这样的时候,那时间来去匆匆,有时会突然让你感到震惊。衰老的过程是冷酷无情的。我眼看着衰老在我颜面上步步紧逼,一点点侵蚀，我的面容各有关部位也发生了变化，两眼变得越来越大，目光变得凄切无神,嘴变得更加固定僵化，额上刻满了深深的裂痕。”还在青春年华时，作者就已经在哀伤容颜已逝；当她年老时，却依旧渴盼心仪的情人主动来找她——不但爱她年轻时的脸庞，更爱她现在备受摧残的面容。依旧是少女情怀，对爱情的向往从未失去。

只有到了一定的年龄，并且修炼到了一定境界，才能理解作者这种低沉的、略带悲凉的自恋。冷漠的母亲，贪婪的大哥，懦弱的.小哥，生活是那么的无助。在高档餐厅里，烛光晚餐进行中，情人居高临下地笑着宣布，我不能娶你，因为你已经不是处女了。她边抓紧时间狼吞虎咽边同样笑着回答，那太好了，反正我不喜欢中国人。他对她说：“你来找我，是为了钱。”她于是跟着说：“我来找你，是为了钱。”绝望是那么的彻底。

文化无国界，人心无国界。倘若有区别，那一定是制度和环境导致的。虚伪、贪婪、懦弱、好斗、妒忌、敏感……，在作者的笔下，和我的乡下何尝有什么区别？这里绝无贬低之意，我爱我的家乡和家人，我直面人性的光辉和鄙下，我和作者一样——纵使世人皆嫌我弃我，也绝不妨碍我的自悦自喜！对自己好的只有自己。70岁的作者通过书中主人公的自述，向我们表达了她对美好生活的幻想和对爱情的追求。在杜拉斯的传记里，最后说到了杜拉斯的床头放着那个中国情人的大幅照片，那张照片一直陪伴着杜拉斯，直到终老。有人说，得不到的永远是最好的——那一定是写给别人看的。实际上珍惜得到的才是正解。现实中，作者杜拉斯在70岁时找了一个27岁的小鲜肉，陪她走完余生，何其快哉！她会是痴迷于梦中情人的人吗？

情人书读后感篇4

sons and lovers was d.h. lawrence's first major novel. his only major novel, some would say; but even readers who are out of sympathy with him, or who feel that his gifts were not really those of a novelist, have usually been happy to make a wholehearted exception in this one case.

it is a book that goes straight to the point, at the outset and at almost every subsequent stage. between them his two methods leave us in no doubt where the heart of his story is to be located.

gertrude morel is a woman of high principle, of character and refinement. her husband is a miner who can barely read and write. marrying him for passion, she is bitterly disappointed by his rough manners, his drinking, what she can only see as his weakness and irresponsibility. when the book opens, the marriage has already turned into a battlefield, and the love she has withdrawn from morel is being redirected toward the first of her children. in the previous chapters, gertrude morel is most devoted to her eldest son william. but after he dies of a skin disease, she plunges into grief. seeing william is gone, she rededicates her life to paul, and this revives her. she teaches her son art, education, and social advancement. she lives for her sons and will do anything to see them make their way in the world.

mrs. morel is terribly tired of her involvement in paul and miriam's relationship and decides to stop intervening. she knows that paul is an adult now and that there is nothing she can do to stop paul from seeing miriam. she feels that she can never forgive her son for sacrificing himself to love miriam. as it mentions above, paul has begun to realize how much his mother affects his life. her deep love for him has made her a part of himself that when he wants to break free from his mother, he is unable to get away from her. his mother is ingrained into his very soul.

thatsquo;s to say, his mother influences paul very much, and which proves to be for worse to him. when paul finds girlfriend, he always find the girl who takes after his mother, not only the out look but also in mental. but in fact he could not find such girl. so it lead to that he never willing to be bound to miriam in marriage or to clara in physical love. at last paul has begun to realize how much his mother affects his life. her deep love for him has made her a part of himself that when he wants to break free from his mother, he is unable to get away from her. his mother is ingrained into his very soul.

to sum up, paulsquo;s mother has some bad influence on him and to a large extent changes his life.

情人书读后感篇5

暑假里一个烈日炎炎的午后，我躺在床上百无聊赖，便随手翻起了玛格丽特杜拉斯的《情人》，一下子就被这本薄薄的小书深深地吸引住了。

开头是这么写的：我已经上了年纪，有一天，在一处公共场所的大厅里，有个男人朝我走过来。他在做了一番自我介绍之后对我说：“我始终认识您。大家都说您年轻的时候很漂亮，而我是想告诉您，依我看来，您现在比年轻的时候更漂亮，您从前那张少女的面孔远不如今天这副被毁坏的容颜更使我喜欢。”多么温情默默的开头，让我想起了叶芝的那首诗《当你老了》，“多少人爱你青春欢畅的时辰，爱慕你的美丽，假意或真心，只有一个人爱你那朝圣者的灵魂，爱你衰老了的脸上痛苦的皱纹”。我猜想，《情人》一定是一个无比动人的爱情故事，或许还很传奇。

怀着无比期待和激动的心情，我一口气就看完了这本书。读完之后，感觉内心特别压抑、字里行间那种悲凄感、颓靡感、孤独感令我喘不过气，杜拉斯不愧是大师，《情人》确实给人以震撼的快感。书中有两个情节给我留下了难以磨灭的印象。一个是白人姑娘透过人山人海看到自己的情人结婚的情景，四目相对时那男人眼中的孱弱与无奈和女孩眼中带着坚强和倔强的近似绝望的神情；中国有句古诗“恨不相逢未嫁时”就算相逢未嫁时有什么用呢，目睹心爱的人结婚还要什么比这更残酷和凄惶呢？！另一个情节是女孩在归国的轮渡上，看到巨轮笛声长鸣，吊板缓缓升起，拖轮启航远离岸边时，她开始饮泣了，但那是既没有眼泪，又没有声音的低泣，就连前来送行的妈妈和小哥哥都不曾发现。她伤心欲绝，也像上次一样倚船栏上，她知道情人也正在凝望自己。悲哉！我离君天涯，君隔我海角。“她突然不敢肯定她没爱过这个男人，没有这种她没有见过的爱情，因为这爱情已经在历史中消逝，就象流水消失在沙漠里一样。可现在，也仅仅是现在，当这首乐曲撒遍大海的时候，她才重新发现这种业已消逝的爱情。”无论女孩以前如何否定她爱那个男人，此情此景下，分别在即，她也只能放纵自己低低的啜泣，那是何等的无望阿，或许这辈子再无法缘相见吧，而她那么努力压抑的情感其实一直都在，浓郁似火般被她浇灭在心间。情极至毒呵！

这本书让我想起作家池莉的一句话：文学是一个关于绝望的故事。的确，《情人》之所以被那么多人喜欢也许就在这绝望中的爱情吧。一个贫穷的生活艰辛的白人女孩和一个中国的富家少爷在半殖民地的越南，跨越种族、跨越偏见、跨越阶层相爱了，这爱本身就是一种无望，一种对非理性的偏执与迷恋，压抑感与绝望感在书中随处可见。抛开那些炫丽的写作技巧，大量的.意识流和心理描写以及纵横交错的时空变换，我认为作品本身的感染力和吸引力还在于情感。杜拉斯写这部自传性小说时候的心境我们不得而知，可我猜想，过了那么多年已经功成名就的她却始终忘不了16岁的那段短暂而悲壮的爱情，初恋的记忆穿越时空，还停留在对一段爱情的回眸和对一个男人的怀念之中。它的爆发可以划破沉寂的长空，震惊整个世界，这该是怎样刻骨铭心的一段恋情！就像作品最后那个中国男人说“他和从前一样，仍然爱着她，说他永远无法扯断对她的爱，他将至死爱着她”，情深不寿，正因为爱得深，那种无法爱、爱不到的煎熬才来得深刻、来得长久。我认为，《情人》整本书其实就是杜拉斯在向我们讲述一个关乎绝望的故事。爱情是孤独和绝望结出来的红苹果，鲜嫩美好的外表下是绝望的毒汁在四溢阿！我读过的西方文学作品中关于爱情绝望的女性还有两个。一个是狄更斯《远大前程》中老处女郝维辛小姐，令一个是福克纳《献给艾米丽的玫瑰》中的艾米丽小姐，两位老处女都是把内心的绝望辐射到生活的其他角落，实施刻毒的爱情计划来折磨他人，而最终驯服她们的都是那比爱情更能持久、那战胜了爱情的熬煎的永恒的长眠。包括情人在内的这三部作品，的确验证了池莉的那句话，文学是一个关于绝望的故事。

很久很久以后，也许我的记忆里还会有《情人》中的一些琐碎的片段和细节，它并不像巴尔扎克和托尔斯泰的鸿篇巨制那么正统，可它的确让我思考，思考关于爱情、关于生活的那些细腻与微妙之处。

情人书读后感篇6

很多读后感喜欢把《情人》开篇的一段文字当成自己读后感的开头，王小波说那个开头：无限沧桑尽在其中。

去书店买《情人》回家看，也的确是受王小波的鼓动。王小波在《我的师承》里提到了一种阅读方式：他用查良铮（穆旦）翻译的做例子，告诉我们文字不是用来看的，是用来读的。好的文字，应该像黄钟大吕一样琅琅上口。于是在看完他的杂文集后，我也要买来《情人》好好读读，毕竟最优秀的作者在搞翻译。我很乐意享受个人世界，我读《情人》的时候是个晚上。那天晚上我在超市买了卤菜，在小区的菜市场买了小南瓜，我特地煮了小米粥——近几日的忙碌，胃有点不舒服。

我开了电视，是5-12四川汶川大地震的消息。人在吃饭后就悲恸不已。

我冲了杯普洱，苦。

“一个年轻人的青春是美的，一个老人的苍老同样是美的。”我明白那个道理。不过我还是被吸引了。杜拉斯的文字晦涩，深奥，却拥有一股神气的力量使我无法中途放弃。可以是对爱情的向往，解读，可以是对悲惨命运的挣脱，然而那些字背后，自己感觉到的却是无尽的绝望。这样的情绪，一丝丝、一缕缕、从眼皮流淌出来，弥漫在整个房间里。将我缠绕其中，无法脱身。

真是那样。于是普洱茶在午夜12点后更苦。

我还是继续翻着，几页几页的断章。和文章的主题无关，和爱情无关，和命运无关。但杜拉斯还是写着。我知道那是她的手法，和电影里的蒙太奇手法一样。幕布一盖，换了个场景，但依旧是一部电影。这个倒让我想起了王家卫，我喜欢王家卫的电影，因此我也理解了《情人》中的这个手法。手法相似，不存在模仿和抄袭，正如一套好的相机，庸着可以去拥有它，卓越的摄影师也可以拥有它一样。诚然，杜拉斯和王家卫都是优秀的。

cctv-4里曾播放过湄公河。旧照片的颜色。在湄公河的渡船上，西贡的街道上。女孩遇见了那个来自中国北方的男人。杜拉斯叙述的角度很奇特，她的文字很有力量，和刀差不多，她把《情人》约会的每个场景都刻在你脑袋里，你能从文字里看到那些场景，堤岸，中国餐馆，小汽车，寄宿学校，小木屋等等。看《情人》，你仿佛会觉得自己就是主人公，忽然你又变成了观众，忽然你又什么都不是了。

?情人》在那些文字之后开始了情感。在老式的有轨电车上，在喧闹的洒吧里，在海边的小木屋中。《情人》继续他们的情感，他们享受性爱的欢娱，他们享受两人一世界的欢娱。暧昧的气息，跌宕的少女情节。忽然一切嘎然停止，剩下的只有无边无尽的绝望和孤寂，就像经历了一场盛宴，到头来依然孤单一人。

一场感情从开始便充满了绝望。当然，我们不能否定它会绝处逢生。只是杜拉斯让它死亡了。小说毕竟还是小说，奇迹总是奇迹。如果能奇迹也能自然发展，它就不是奇迹了。可以理解一个把爱情当作救命稻草的少女，渴望用爱情来拯救绝望的生活，她在底层不断挣扎，疯狂，然后依然失败，早已注定的失败。她其实看的到自己的失败，可她依旧朝失败走去，这个就是爱情。爱情无法永远，而分离可以。

女孩的有些事情是注定的。

时间带走了一切伤痛，然而温柔还是留在心里。

“我已经老了，有一天，在一处公共场所的大厅里，有一个男人向我走来。他主动介绍自己，他对我说：’我认识你，永远记得你。那时候，你还很年轻，人人都说你美，现在，我是特为来告诉你，对我来说，我觉得现在你比年轻的时候更美，那时你是年轻女人，与你那时的面貌相比，我更爱你现在备受摧残的面容。”

情人书读后感6篇相关文章：